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The image of the man on the Shroud can be read by 3D imaging technology. In addition, medieval paintings show the nails in the palm of Christ’s hands, the Shroud shows the nail wounds in his wrists which is anatomically correct.
The flesh of the palms would not have supported the weight of the man’s body. Pollen from the Shroud is not only from the Jerusalem area, but from Turkey and the other places the Shroud is supposed to have resided.
He then proceeded to produce a Shroud-like image on a piece of linen using his theoretical process.
However, the imaging expert Barrie Schwortz, not himself a Christian, has challenged Allen’s work, which he says only accounts for some of the Shroud’s properties.
There is now a mountain of evidence about the Shroud, but too many dismiss the possibility of the Shroud’s authenticity based on the Carbon-14 dating alone.
However, a good detective does not rely on one piece of evidence. Here are the pieces of evidence which I find compelling. It is not a stain, nor is it painted on the Shroud.
When he developed the negative he noticed that it showed a positive image of a human face.
He concluded that the image itself was therefore, in effect, a photographic negative.
The fact that the bloodstains retain their reddish colour is evidence that the blood came from a person under extreme duress.
Dust from the area of the image by the knees and feet is from the area around Jerusalem. The Shroud details are perfectly consistent with first-century Jewish burial customs.
There are even microscopic traces of the flowers that would have been used in the burial-flowers that grew locally and were known to be used for burial.
In 1987 the Shroud was subjected to carbon-14 dating technology which dated it to the 13th century.
Predictably, the result has been criticised for a range of reasons.